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VARIETY →

May 16, 2018 by Marcelo Martinessi

‘A finely-crafted, beautifully realized debut that exquisitely balances character study with shrewd commentary on class, desire, and the lingering privileges of Paraguay’s elite’ writes Jay Weissberg.

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May 16, 2018 /Marcelo Martinessi

CINEVUE →

May 16, 2018 by Marcelo Martinessi

‘A story about losing and finding romance but choosing independence instead, this deeply felt Paraguayan drama shines a light on the nation’s fractured identity by crossing numerous generational and class divides’ writes Patrick Gamble.

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May 16, 2018 /Marcelo Martinessi

THE HOLLYWOOD REPORTER →

May 15, 2018 by Marcelo Martinessi

‘A hulking old Mercedes becomes both a vestige of lost financial security and a vehicle for emancipation in this quiet drama about a middle-class Paraguayan woman set adrift’ writes David Rooney.

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May 15, 2018 /Marcelo Martinessi

FILM DE CULTE →

May 15, 2018 by Marcelo Martinessi

‘Cette première scène traduit d'emblée la finesse d'écriture du réalisateur paraguayen Marcelo Martinessi, dont c'est ici le premier long métrage’ écrit Gregory Coutaut.

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May 15, 2018 /Marcelo Martinessi

FILMIN →

May 14, 2018 by Marcelo Martinessi

‘Probablemente su herencia no sea tanto el dinero y la opulencia, si no las heridas abiertas y no cicatrizadas causadas por el régimen autoritario de Stroessner que en Paraguay aún colea’ escribe Joan Sala.

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May 14, 2018 /Marcelo Martinessi

OTROS CINES EUROPA →

May 14, 2018 by Marcelo Martinessi

‘Difícil encontrarle grietas a la propuesta; casi imposible pedirle más’ escribe Víctor Esquirol.

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May 14, 2018 /Marcelo Martinessi

MICROPSIA →

May 14, 2018 by Marcelo Martinessi

‘Martinessi consigue grandes performances de sus tres protagonistas femeninas’ escribe Diego Lerer.

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May 14, 2018 /Marcelo Martinessi

OTROS CINES →

May 14, 2018 by Marcelo Martinessi

‘Una película incómoda, provocadora sin golpes bajos, y decididamente fascinante’ escribe Diego Batlle.

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May 14, 2018 /Marcelo Martinessi

SCREEN DAILY →

May 14, 2018 by Marcelo Martinessi

‘This female-driven debut has much to say about the class system in Paraguay’ writes Wendy Ide.

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May 14, 2018 /Marcelo Martinessi

CINEMA AUSTRALIA →

May 14, 2018 by Marcelo Martinessi

‘Belatedness is also part of what makes it so reparative and creative as well, in one of the most beautiful testaments to cinema I’ve seen in a long time.’ writes Billly Stenvenson.

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May 14, 2018 /Marcelo Martinessi

BERLINER →

May 14, 2018 by Marcelo Martinessi

‘Die gesamte Besetzung hat der Regisseur sorgfältig zusammengestellt. Er vereint eine überzeugende Frauenriege bis in die Nebenrollen, die mit einer starken Präsenz aufwartet’ schreibt Teresa Vena.

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May 14, 2018 /Marcelo Martinessi

TAZ →

May 14, 2018 by Marcelo Martinessi

‘Marcelo Martinessi porträtiert die kolonial geprägte Bourgeoisie Paraguays aus der Perspektive der Frauen – ein überzeugendes Debut’ schreibt Eva-Christina Meier.

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May 14, 2018 /Marcelo Martinessi

CINEFORUM →

May 14, 2018 by Marcelo Martinessi

‘Con Las herederas, Martinessi si porta al centro di quella società, ad Asunción, in un contesto borghese che per inclinazione tiene le porte selettivamente chiuse alla realtà’ scrive Alessandro Ucceli.

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May 14, 2018 /Marcelo Martinessi

KINO ZEIT →

May 14, 2018 by Marcelo Martinessi

‘Mit seinem Debütfilm zeichnet Marcelo Martinessi ein beeindruckendes Bild von der Oberschicht Paraguays’ schreibt Verena Schmöller.

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May 14, 2018 /Marcelo Martinessi

CINE FREAKS →

May 14, 2018 by Marcelo Martinessi

‘O  Marcelo Martinessi κάνει ένα εντυπωσιακό ντεμπούτο στο διαγωνιστικό της Berlinale, παρουσιάζοντας μια βαθιά ανθρώπινη και γήινη ιστορία’ γράφει ο Yannis Patlakas.

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May 14, 2018 /Marcelo Martinessi

ABUS DE CINE →

May 14, 2018 by Marcelo Martinessi

‘Drame feutré convoquant une émotion ténue, "Las herederas" réussit, en transparence, une cruelle peinture d'une société où les plus riches semblent n'avoir que peu de contact avec la réalité’ écrit Olivier Bachelard.

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May 14, 2018 /Marcelo Martinessi

CLOSE-UP →

May 14, 2018 by Marcelo Martinessi

‘Il film ambisce – e riesce – a divenire un’allegoria della condizione del paese, della sua ancor traballante democrazia e delle sue precarie condizioni economiche’ scrive Matteo Galli.

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May 14, 2018 /Marcelo Martinessi

ION CINEMA →

May 14, 2018 by Marcelo Martinessi

‘While they seem to have outlived their best of times, the two privileged women at the center of Paraguayan director Marcelo Martinessi’s compelling debut have definitely reached a worst of times moment’ writes Nicholas Bell.

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May 14, 2018 /Marcelo Martinessi

MAGAZINE HD →

May 14, 2018 by Marcelo Martinessi

‘Vai explorando cuidadosamente o seu mundo exterior , ao mesmo tempo que o filme vai aprofundando aos poucos um olhar sobre um estrato social, que na realidade vive em outro tempo e não pensa no futuro’ escreve José Vieira Mendes.

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May 14, 2018 /Marcelo Martinessi

EL MUNDO →

May 14, 2018 by Marcelo Martinessi

‘Martinessi convierte la puesta en escena en un estado desasosegado del alma. Importa el temblor del precipicio, el vértigo de los silencios. Un bellísimo ejercicio de cine desesperado’ escribe Luís Martínez.

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May 14, 2018 /Marcelo Martinessi
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